before the yo yo ma, norah jones and the diana kralls
songs that move you
proper decay
seinfield should have really clear and reflections should envelop you, reverb has (half second)
you kinda want to laugh along with them
less systems align the reverbs tone with the voices that started them. syntehtic reverbs bass slams and ripples cleaning
dual male vocals
one melodic one rougher side of the spectrum, female backing vocals
richly layered outward, dimensional
gritty, soiid voice, roughtness, grunt, intention
lots of reverbs moves behind you
on my wedding day
chuckas should be utterly real coming from the left channel behind the voices, like scary real
romanticism
studio recording well-pieced
usher sounds like usher sweet exertions, flows
the low end should bewell defined, clean, and heavy without bleeding into the reverbs
the reverbs revovle around you while vocals remained in focus, centered
lowend ripples are clean and doesn't blend.
on lesser systems, everything much flatter and overly warm
vocal intor overlays should be very distinct and undisturbed
The day I find a woman I prolly be scared to share it The idea of me finding love, would run somebody off And true my wall could use some plaques, but still I gotta floss Brush you off, see I'm kinda lost
Seinfield